The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 16
literary performance. If he does not "live" the scene he at least pretends to "live" it.
The painter, in fine, completely unconcerned, does nothing but keep his eyes
open. What is happening here is none of his business; he is, as it were, a
hundred ...
literary performance. If he does not "live" the scene he at least pretends to "live" it.
The painter, in fine, completely unconcerned, does nothing but keep his eyes
open. What is happening here is none of his business; he is, as it were, a
hundred ...
Pagina 19
... the modern painter has failed to achieve resemblance. But then some pictures
of the 1860's are "poorly" painted, too, and the objects in them differ considerably
from the corresponding objects outside them. And yet, whatever the differences, ...
... the modern painter has failed to achieve resemblance. But then some pictures
of the 1860's are "poorly" painted, too, and the objects in them differ considerably
from the corresponding objects outside them. And yet, whatever the differences, ...
Pagina 106
The primitive canvas is, in a certain sense, the sum of many small pictures, each
one independent and each painted from the proximate view. The painter has
directed an exclusive and analytic gaze at each one of the objects. This accounts
for ...
The primitive canvas is, in a certain sense, the sum of many small pictures, each
one independent and each painted from the proximate view. The painter has
directed an exclusive and analytic gaze at each one of the objects. This accounts
for ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama eric bentley essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest jacques barzun less light LIONEL trilling literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth Velasquez vital vocation W. H. AUDEN Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |