The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 16
The painter , in fine , completely unconcerned , does nothing but keep his eyes
open . What is happening here is none of his business ; he is , as it were , a
hundred miles removed from it . His is a purely perceptive attitude ; indeed , he
fails to ...
The painter , in fine , completely unconcerned , does nothing but keep his eyes
open . What is happening here is none of his business ; he is , as it were , a
hundred miles removed from it . His is a purely perceptive attitude ; indeed , he
fails to ...
Pagina 19
... orienting words “ This is a cock ” with which Cervantes lets the painter
Orbanejo enlighten his public . In modern paintings the opposite happens . It is
not that the painter is bungling and fails to render the natural The
Dehumanization of Art 19.
... orienting words “ This is a cock ” with which Cervantes lets the painter
Orbanejo enlighten his public . In modern paintings the opposite happens . It is
not that the painter is bungling and fails to render the natural The
Dehumanization of Art 19.
Pagina 106
The primitive canvas is , in a certain sense , the sum of many small pictures ,
each one independent and each painted from the proximate view . The painter
has directed an exclusive and analytic gaze at each one of the objects . This
accounts ...
The primitive canvas is , in a certain sense , the sum of many small pictures ,
each one independent and each painted from the proximate view . The painter
has directed an exclusive and analytic gaze at each one of the objects . This
accounts ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |