The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 16
... painter , in fine , completely unconcerned , does nothing but keep his eyes open . What is hap- pening here is none of his business ; he is , as it were , a hundred miles removed from it . His is a purely perceptive attitude ; indeed ...
... painter , in fine , completely unconcerned , does nothing but keep his eyes open . What is hap- pening here is none of his business ; he is , as it were , a hundred miles removed from it . His is a purely perceptive attitude ; indeed ...
Pagina 19
... painter has failed to achieve resem- blance . But then some pictures of the 1860's are " poorly " painted , too ... painter Orbanejo enlighten his public . In mod- ern paintings the opposite happens . It is not that the painter is ...
... painter has failed to achieve resem- blance . But then some pictures of the 1860's are " poorly " painted , too ... painter Orbanejo enlighten his public . In mod- ern paintings the opposite happens . It is not that the painter is ...
Pagina 117
... painter begins by asking himself what ele- ments of the universe ought to be translated onto canvas , that is , what class of phenomena are pic- torially essential . The philosopher , for his part , asks what class of objects is ...
... painter begins by asking himself what ele- ments of the universe ought to be translated onto canvas , that is , what class of phenomena are pic- torially essential . The philosopher , for his part , asks what class of objects is ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth