The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 36
... painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the subjective images in his own mind . Notwithstanding its crudeness and the hopeless vulgarity of its subject ...
... painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the subjective images in his own mind . Notwithstanding its crudeness and the hopeless vulgarity of its subject ...
Pagina 100
... painting from Giotto to our own time is a unique and simple action with a beginning and an end . It is surprising ... painting . III Movement implies a mover . In the evolution of painting , what is it that moves ? Each canvas is an ...
... painting from Giotto to our own time is a unique and simple action with a beginning and an end . It is surprising ... painting . III Movement implies a mover . In the evolution of painting , what is it that moves ? Each canvas is an ...
Pagina 106
... painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best means of distinguishing the two tendencies in pictorial art— painting of bulk and painting of hollow space- is to ...
... painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best means of distinguishing the two tendencies in pictorial art— painting of bulk and painting of hollow space- is to ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth