The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
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... reviews , the most prominent of which was La Revista de Occidente , and made sev- eral lecture tours of South America . Although he sup- ported ... Partisan Review in 1949 and 1952 . THE DEHUMANIZATION OF ART AND OTHER WRITINGS ON ART AND.
... reviews , the most prominent of which was La Revista de Occidente , and made sev- eral lecture tours of South America . Although he sup- ported ... Partisan Review in 1949 and 1952 . THE DEHUMANIZATION OF ART AND OTHER WRITINGS ON ART AND.
Pagina 99
... PARTISAN REVIEW . Re- printed , 1956 , by permission of PARTISAN REVIEW . mind's eye - quickly from one to the other . When history is what it should be, it is ...
... PARTISAN REVIEW . Re- printed , 1956 , by permission of PARTISAN REVIEW . mind's eye - quickly from one to the other . When history is what it should be, it is ...
Pagina 123
... PARTISAN REVIEW . Reprinted , 1956 , by permission of PARTISAN REVIEW . 1. This essay , written for Die Neue Rundschau of Berlin , in 1932 , on the occasion of the centenary of Goethe's death , raises just as timely and urgent a ques ...
... PARTISAN REVIEW . Reprinted , 1956 , by permission of PARTISAN REVIEW . 1. This essay , written for Die Neue Rundschau of Berlin , in 1932 , on the occasion of the centenary of Goethe's death , raises just as timely and urgent a ques ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth