The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina
... reviews , the most prominent of which was La Revista de Occidente , and made sev- eral lecture tours of South America . Although he sup- ported ... Partisan Review in 1949 and 1952 . THE DEHUMANIZATION OF ART AND OTHER WRITINGS ON ART AND.
... reviews , the most prominent of which was La Revista de Occidente , and made sev- eral lecture tours of South America . Although he sup- ported ... Partisan Review in 1949 and 1952 . THE DEHUMANIZATION OF ART AND OTHER WRITINGS ON ART AND.
Pagina
... Partisan Review between 1949 and 1952 : " On Point of View in the Arts . " " In Search of Goethe from Within , " and " The Self and the Other . " Together the five essays give a comprehensive picture , of Ortega's views on the present ...
... Partisan Review between 1949 and 1952 : " On Point of View in the Arts . " " In Search of Goethe from Within , " and " The Self and the Other . " Together the five essays give a comprehensive picture , of Ortega's views on the present ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth