The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 8
... passion and pain of the man behind the poet . Paintings attract him if he finds on them figures of men or women whom it would be interesting ... passions . By art they understand a means through which they are brought in 8 ARTISTIC ART ...
... passion and pain of the man behind the poet . Paintings attract him if he finds on them figures of men or women whom it would be interesting ... passions . By art they understand a means through which they are brought in 8 ARTISTIC ART ...
Pagina 20
... passions , but those sentiments and passions evidently belong to a flora other than that which covers the hills and dales of primary and human life . What those ul- tra - objects evoke in our inner artist are secondary passions ...
... passions , but those sentiments and passions evidently belong to a flora other than that which covers the hills and dales of primary and human life . What those ul- tra - objects evoke in our inner artist are secondary passions ...
Pagina 64
... passions ; whereas in the Spanish theater psycho- logical anatomy of sentiments and characters is infrequent or at ... passion . rather than to contemplation . However , psychological analysis is not the last aim of French tragedies ; it ...
... passions ; whereas in the Spanish theater psycho- logical anatomy of sentiments and characters is infrequent or at ... passion . rather than to contemplation . However , psychological analysis is not the last aim of French tragedies ; it ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth