The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 40
... past on the present . That a work of a certain period may be modeled after works of another previous period has always been easily recognized . ( But to notice the negative influence of the past and to realize that a new style has not ...
... past on the present . That a work of a certain period may be modeled after works of another previous period has always been easily recognized . ( But to notice the negative influence of the past and to realize that a new style has not ...
Pagina 125
... past , and that we could live on the income of it . We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take ...
... past , and that we could live on the income of it . We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take ...
Pagina 177
... past , that is , history , " he says , " the first thing we see is nothing but - ruins . " Let us , in passing , seize the opportunity to see , from the elevation of this vision , the element of frivolousness , and even of marked ...
... past , that is , history , " he says , " the first thing we see is nothing but - ruins . " Let us , in passing , seize the opportunity to see , from the elevation of this vision , the element of frivolousness , and even of marked ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth