The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 40
... past on the present . That a work of a certain period may be modeled after works of another previous period has always been easily recognized . But to notice the negative influence of the past and to realize that a new style has not ...
... past on the present . That a work of a certain period may be modeled after works of another previous period has always been easily recognized . But to notice the negative influence of the past and to realize that a new style has not ...
Pagina 124
... past as an arsenal of means , receipts , norms . The man who has not lost faith in the past is not frightened by the future , because he is sure that in the past he will find the tactic , the method , the course , by which he can ...
... past as an arsenal of means , receipts , norms . The man who has not lost faith in the past is not frightened by the future , because he is sure that in the past he will find the tactic , the method , the course , by which he can ...
Pagina 125
... past , and that we could live on the income of it . We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take ...
... past , and that we could live on the income of it . We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth