The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 8
... perhaps less utilitarian , more intense , and free from painful consequences . But the object to- wards which their attention and , consequently , all their other mental activities are directed is the same as in daily life : people and ...
... perhaps less utilitarian , more intense , and free from painful consequences . But the object to- wards which their attention and , consequently , all their other mental activities are directed is the same as in daily life : people and ...
Pagina 138
... perhaps the best word to designate that vital design , that inexorable plan , in which our real I exists . Each one of us is " he whom he has to become , " although perhaps he never suc- ceeds in becoming anything . Can this be ...
... perhaps the best word to designate that vital design , that inexorable plan , in which our real I exists . Each one of us is " he whom he has to become , " although perhaps he never suc- ceeds in becoming anything . Can this be ...
Pagina 170
... perhaps the two greatest sins of the last two centuries , the two greatest forms of irresponsibility . But let us leave this subject , to treat it in due season , and for the moment quietly continue along our road . It seems to me that ...
... perhaps the two greatest sins of the last two centuries , the two greatest forms of irresponsibility . But let us leave this subject , to treat it in due season , and for the moment quietly continue along our road . It seems to me that ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth