The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 35
... person . What if the painter changed his mind . and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be the truth and nothing but the truth , and failure ...
... person . What if the painter changed his mind . and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be the truth and nothing but the truth , and failure ...
Pagina 71
... persons acquire a palpable bodily existence such as no definition could contrive . It is extremely interesting to watch Dostoevski in his cunning ways with the reader . To a perfunctory observation , he ... person and Notes on the Novel 71.
... persons acquire a palpable bodily existence such as no definition could contrive . It is extremely interesting to watch Dostoevski in his cunning ways with the reader . To a perfunctory observation , he ... person and Notes on the Novel 71.
Pagina 130
... person who has to live with things , among things , the person who has to live , not any life but a particular life . There is no abstract living . Life means the inexorable neces- sity of realizing the design for an existence which ...
... person who has to live with things , among things , the person who has to live , not any life but a particular life . There is no abstract living . Life means the inexorable neces- sity of realizing the design for an existence which ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth