The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
As for the points of view of the four persons present at the deathbed , the clearest means of dis- tinguishing them is by measuring one of their dimensions , namely the emotional distance be- tween each person ...
As for the points of view of the four persons present at the deathbed , the clearest means of dis- tinguishing them is by measuring one of their dimensions , namely the emotional distance be- tween each person ...
Pagina 35
A traditional painter painting a portrait claims to have got hold of the real person when , in truth and at best , he has set down on the canvas a schematic selection , arbitrarily decided on by his mind , from the innumerable traits ...
A traditional painter painting a portrait claims to have got hold of the real person when , in truth and at best , he has set down on the canvas a schematic selection , arbitrarily decided on by his mind , from the innumerable traits ...
Pagina 130
the person who has to live with them , by means of them , and perhaps you spend your life protesting against the soul with which you were endowed- of its lack of will , for example - as you protest against your bad stomach or of the ...
the person who has to live with them , by means of them , and perhaps you spend your life protesting against the soul with which you were endowed- of its lack of will , for example - as you protest against your bad stomach or of the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth