The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 36
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such- that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first ...
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such- that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first ...
Pagina 61
... personages , their being , and their environment till we have had our fill and feel that they are close friends whom we know thoroughly in all the wealth of their lives . That is what makes of the novel an essentially slow - moving ...
... personages , their being , and their environment till we have had our fill and feel that they are close friends whom we know thoroughly in all the wealth of their lives . That is what makes of the novel an essentially slow - moving ...
Pagina 64
... personages as the analysis of those passions ; whereas in the Spanish theater psycho- logical anatomy of sentiments and characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole and ...
... personages as the analysis of those passions ; whereas in the Spanish theater psycho- logical anatomy of sentiments and characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth