The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 36
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first ...
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first ...
Pagina 64
... personages as the analysis of those passions ; whereas in the Spanish theater psycho- logical anatomy of sentiments and characters is infrequent or at least unimportant . Sentiments and characters are taken from without as whole and ...
... personages as the analysis of those passions ; whereas in the Spanish theater psycho- logical anatomy of sentiments and characters is infrequent or at least unimportant . Sentiments and characters are taken from without as whole and ...
Pagina 67
... personages . Over the intricate and varied pat- tern of the intrigue the poet poured his elaborate volubility - a profusion of glittering metaphors ex- pressed in a vocabulary of darkest shadows alter- nating with brilliant light , a ...
... personages . Over the intricate and varied pat- tern of the intrigue the poet poured his elaborate volubility - a profusion of glittering metaphors ex- pressed in a vocabulary of darkest shadows alter- nating with brilliant light , a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth