The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 117
... philosophy has preferred a distinct type , and upon this has built the rest of the construction . In the time of Giotto , painter of solid and in- dependent bodies , philosophy believed that the ultimate and definitive reality were ...
... philosophy has preferred a distinct type , and upon this has built the rest of the construction . In the time of Giotto , painter of solid and in- dependent bodies , philosophy believed that the ultimate and definitive reality were ...
Pagina 119
... philosophy of the Renaissance , reaches its extreme consequences in the radical sensationalism of Avenarius and Mach . How can this continue ? What new philosophy is possible ? A return to primitive realism is unthinkable ; four ...
... philosophy of the Renaissance , reaches its extreme consequences in the radical sensationalism of Avenarius and Mach . How can this continue ? What new philosophy is possible ? A return to primitive realism is unthinkable ; four ...
Pagina 135
... philosophy comes to that which has always inspired my writings - among other things , be- cause Heidegger's work is not yet finished , nor , on the other hand , have my ideas been adequately developed in print . But I am obliged to say ...
... philosophy comes to that which has always inspired my writings - among other things , be- cause Heidegger's work is not yet finished , nor , on the other hand , have my ideas been adequately developed in print . But I am obliged to say ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth