The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 106
... picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best means of ...
... picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best means of ...
Pagina 109
... picture imposes on it a certain unity and fosters the illusion of a single point of view . Furthermore , there appears already in the work of El Greco another unifying element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition ...
... picture imposes on it a certain unity and fosters the illusion of a single point of view . Furthermore , there appears already in the work of El Greco another unifying element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition ...
Pagina 111
... picture becomes internal , and not merely obtained by ex- trinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To overcome this dualism , art needed a ...
... picture becomes internal , and not merely obtained by ex- trinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To overcome this dualism , art needed a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth