The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 106
The proximate gaze must shift from one to the other to make each in turn the
center of vision . This means that the point of view in a primitive picture is not
single , but as many points of view as there are objects represented . The canvas
is not ...
The proximate gaze must shift from one to the other to make each in turn the
center of vision . This means that the point of view in a primitive picture is not
single , but as many points of view as there are objects represented . The canvas
is not ...
Pagina 107
Raphael does not modify this point of view , but introduces in the picture an
abstract element that affords it a certain unity ; this is composition , or architecture
. He continues to paint one object after another , like a primitive ; his visual
apparatus ...
Raphael does not modify this point of view , but introduces in the picture an
abstract element that affords it a certain unity ; this is composition , or architecture
. He continues to paint one object after another , like a primitive ; his visual
apparatus ...
Pagina 111
XI VELASQUEZ Thanks to chiaroscuro , the unity of the picture becomes internal ,
and not merely obtained by extrinsic means . However , under the light , volumes
continue to lurk , the painting of bulk persists through the refulgent veil of light .
XI VELASQUEZ Thanks to chiaroscuro , the unity of the picture becomes internal ,
and not merely obtained by extrinsic means . However , under the light , volumes
continue to lurk , the painting of bulk persists through the refulgent veil of light .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |