The Dehumanization of Art: And Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 106
This means that the point of view in a primitive picture is not single, but as many
points of view as there are objects represented. The canvas is not painted as a
unity, but as a i plurality. No part is related to any other; each is i perfect and ...
This means that the point of view in a primitive picture is not single, but as many
points of view as there are objects represented. The canvas is not painted as a
unity, but as a i plurality. No part is related to any other; each is i perfect and ...
Pagina 107
Raphael does not modify this point of view, but introduces in the picture an
abstract element that"7 affords it a certain unity; this is composition, or
architecture. He continues to paint one object after another, like a primitive; his
visual apparatus ...
Raphael does not modify this point of view, but introduces in the picture an
abstract element that"7 affords it a certain unity; this is composition, or
architecture. He continues to paint one object after another, like a primitive; his
visual apparatus ...
Pagina 111
XI VELASQUEZ Thanks to chiaroscuro, the unity of the picture becomes internal,
and not merely obtained by extrinsic means. However, under the light, volumes
continue to lurk, the painting of bulk persists through the refulgent veil of light.
XI VELASQUEZ Thanks to chiaroscuro, the unity of the picture becomes internal,
and not merely obtained by extrinsic means. However, under the light, volumes
continue to lurk, the painting of bulk persists through the refulgent veil of light.
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama eric bentley essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest jacques barzun less light LIONEL trilling literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth Velasquez vital vocation W. H. AUDEN Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |