The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 106
... picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best means of ...
... picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best means of ...
Pagina 107
... picture an abstract element that affords it a certain unity ; this is composition , or architecture . He continues ... pictures , then , do not derive from , and cannot be viewed in , a unified field of vision . But there is already in ...
... picture an abstract element that affords it a certain unity ; this is composition , or architecture . He continues ... pictures , then , do not derive from , and cannot be viewed in , a unified field of vision . But there is already in ...
Pagina 111
... picture becomes internal , and not merely obtained by ex- trinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To overcome this dualism , art needed a ...
... picture becomes internal , and not merely obtained by ex- trinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To overcome this dualism , art needed a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth