The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 106
This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is ...
This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is ...
Pagina 107
Raphael does not modify this point of view , but introduces in the picture an abstract element that affords it a certain unity ; this is composition , or architecture . He continues to paint one object after another , like a primitive ...
Raphael does not modify this point of view , but introduces in the picture an abstract element that affords it a certain unity ; this is composition , or architecture . He continues to paint one object after another , like a primitive ...
Pagina 111
XI VELASQUEZ Thanks to chiaroscuro , the unity of the picture becomes internal , and not merely obtained by ex- trinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent ...
XI VELASQUEZ Thanks to chiaroscuro , the unity of the picture becomes internal , and not merely obtained by ex- trinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth