The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 8
... pleasure ? What happens in their minds when they " like " a work of art ; for instance , a theatrical per- formance ? The answer is easy . A man likes a play when he has become interested in the human des- tinies presented to him , when ...
... pleasure ? What happens in their minds when they " like " a work of art ; for instance , a theatrical per- formance ? The answer is easy . A man likes a play when he has become interested in the human des- tinies presented to him , when ...
Pagina 25
... pleasure . For pleasures may be blind or see- ing . The drunken man's happiness is blind . Like everything in the world it has a cause , the alcohol ; but it has no motive . A man who has won at sweep- stakes is happy too , but in a ...
... pleasure . For pleasures may be blind or see- ing . The drunken man's happiness is blind . Like everything in the world it has a cause , the alcohol ; but it has no motive . A man who has won at sweep- stakes is happy too , but in a ...
Pagina 69
... pleasure we draw from Dostoevski ; only it is not sufficient rea- son . Moreover , there is a certain questionable quality to these features that makes them as well suited to repelling as to attracting us . We remember that those novels ...
... pleasure we draw from Dostoevski ; only it is not sufficient rea- son . Moreover , there is a certain questionable quality to these features that makes them as well suited to repelling as to attracting us . We remember that those novels ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth