The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 8
... poet . Paintings attract him if he finds on them figures of men or women whom it would be interesting to meet . A landscape is pronounced " pretty " if the country it represents de- serves for its loveliness or its grandeur to be ...
... poet . Paintings attract him if he finds on them figures of men or women whom it would be interesting to meet . A landscape is pronounced " pretty " if the country it represents de- serves for its loveliness or its grandeur to be ...
Pagina 28
... poet informed us prettily of his pri- vate upper - middle - class emotions , his major and minor sorrows , his yearnings , his religious or politi- cal preoccupations , and , in case ... poet when writing poetry simply wishes to be a poet 28.
... poet informed us prettily of his pri- vate upper - middle - class emotions , his major and minor sorrows , his yearnings , his religious or politi- cal preoccupations , and , in case ... poet when writing poetry simply wishes to be a poet 28.
Pagina 29
... poet begins where the man ends . The man's lot is to live his human life , the poet's to invent what is nonexistent . Herein lies the justification of the poetical profession . The poet aggrandizes the world by adding to reality , which ...
... poet begins where the man ends . The man's lot is to live his human life , the poet's to invent what is nonexistent . Herein lies the justification of the poetical profession . The poet aggrandizes the world by adding to reality , which ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth