The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 106
... vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ...
... vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ...
Pagina 112
... point of view , as a whole and at a glance . Proximate vision dissociates , analyzes , distin- guishes - it is feudal . Distant vision synthesizes , combines , throws together - it is democratic . The point of view becomes synopsis ...
... point of view , as a whole and at a glance . Proximate vision dissociates , analyzes , distin- guishes - it is feudal . Distant vision synthesizes , combines , throws together - it is democratic . The point of view becomes synopsis ...
Pagina 114
... point of view . It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even ...
... point of view . It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth