The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 106
The proximate gaze must shift from one to the other to make each in turn the center of vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented .
The proximate gaze must shift from one to the other to make each in turn the center of vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented .
Pagina 112
The point of view has been retracted , has placed itself farther from the object , and we have passed from proximate to distant vision , which , strictly speaking , is the more proximate of the two kinds of vision .
The point of view has been retracted , has placed itself farther from the object , and we have passed from proximate to distant vision , which , strictly speaking , is the more proximate of the two kinds of vision .
Pagina 114
If we eliminate this -for example , by blinking the eyes - we have only oblique vision , those side - views “ from ... It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the ...
If we eliminate this -for example , by blinking the eyes - we have only oblique vision , those side - views “ from ... It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow German gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason remains seems seen sense sensibility soul space speak stand style things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |