The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 84
... possible . From this law derive a few norms of the genre . IMPERVIOUSNESS Let us observe ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held ...
... possible . From this law derive a few norms of the genre . IMPERVIOUSNESS Let us observe ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held ...
Pagina 95
... possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel . That a novel may , apart from this , be concerned with giving a psychological interpreta ...
... possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel . That a novel may , apart from this , be concerned with giving a psychological interpreta ...
Pagina 114
... possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject ...
... possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth