The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 50
... possible to approach a subject in another mind and not condemn it to barrenness ? It may be said that the new art has so far pro- duced nothing worth while , and I am inclined to think the same . I have proposed to extract from the work ...
... possible to approach a subject in another mind and not condemn it to barrenness ? It may be said that the new art has so far pro- duced nothing worth while , and I am inclined to think the same . I have proposed to extract from the work ...
Pagina 94
... possible . And let it not be said that the psychological development he describes seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance ...
... possible . And let it not be said that the psychological development he describes seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance ...
Pagina 116
... possible only if , leaping behind the retina - a tenuous fron- tier between the external and internal - painting completely reversed its function and , instead of putting us within what is outside , endeavored to pour out upon the ...
... possible only if , leaping behind the retina - a tenuous fron- tier between the external and internal - painting completely reversed its function and , instead of putting us within what is outside , endeavored to pour out upon the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth