The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 84
law thanks to which in the aesthetic field the novel is possible . From this law derive a few norms of the genre . IMPERVIOUSNESS Let us observe ourselves the moment we have finished reading a great novel . Is it not as though we were ...
law thanks to which in the aesthetic field the novel is possible . From this law derive a few norms of the genre . IMPERVIOUSNESS Let us observe ourselves the moment we have finished reading a great novel . Is it not as though we were ...
Pagina 95
People in a novel need not be like real ones , it is enough that they are possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel .
People in a novel need not be like real ones , it is enough that they are possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel .
Pagina 114
It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea ...
It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth