The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 5
... precisely a select minority irretrievably sold to the classical forms of the " ancien régime " in poetry . The works of the romanticists were the first , after the invention of printing , to enjoy large editions . Romanticism was the ...
... precisely a select minority irretrievably sold to the classical forms of the " ancien régime " in poetry . The works of the romanticists were the first , after the invention of printing , to enjoy large editions . Romanticism was the ...
Pagina 44
... precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the young so incomprehensible to serious people of less progressive taste . To them modern painting and music are sheer " farce ...
... precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the young so incomprehensible to serious people of less progressive taste . To them modern painting and music are sheer " farce ...
Pagina 134
... precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality itself its ...
... precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality itself its ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth