The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 5
... precisely a select minority irretrievably sold to the classical forms of the " ancien régime " in poetry . The works of the romanticists were the first , after the invention of printing , to enjoy large editions . Romanticism was the ...
... precisely a select minority irretrievably sold to the classical forms of the " ancien régime " in poetry . The works of the romanticists were the first , after the invention of printing , to enjoy large editions . Romanticism was the ...
Pagina 44
... precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the young so incomprehensible to serious people of less progressive taste . To them modern painting and music are sheer “ farce ...
... precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the young so incomprehensible to serious people of less progressive taste . To them modern painting and music are sheer “ farce ...
Pagina 134
... precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality itself its ...
... precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality itself its ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth