The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 14
... present at the same event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot help asking ourselves : Which of all these ...
... present at the same event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot help asking ourselves : Which of all these ...
Pagina 60
... presents its objects alto- gether finished , mummified and , as it were , past . That actuality , that ... present - day novel must be the oppo- site of a story . A story relates events ; the accent is on action . The fresh ...
... presents its objects alto- gether finished , mummified and , as it were , past . That actuality , that ... present - day novel must be the oppo- site of a story . A story relates events ; the accent is on action . The fresh ...
Pagina 100
... its local- ization , that is , the image presents something seen from a definite point of view . This localization of the sensible may be strict or vague , but it is inevitable . A church spire , a sail at sea , present 100.
... its local- ization , that is , the image presents something seen from a definite point of view . This localization of the sensible may be strict or vague , but it is inevitable . A church spire , a sail at sea , present 100.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth