The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 14
means to the wife who is all grief has so little to do with what it means to the
painter who looks on impassively that it seems doubtful whether the two can be
said to be present at the same event . It thus becomes clear that one and the
same ...
means to the wife who is all grief has so little to do with what it means to the
painter who looks on impassively that it seems doubtful whether the two can be
said to be present at the same event . It thus becomes clear that one and the
same ...
Pagina 100
I am not , however , going to prolong our adventure to this remote arcana , and
will content myself , for the present , with interpreting the visage of six centuries
that has been Occidental painting . 111 Movement implies a mover . In the
evolution ...
I am not , however , going to prolong our adventure to this remote arcana , and
will content myself , for the present , with interpreting the visage of six centuries
that has been Occidental painting . 111 Movement implies a mover . In the
evolution ...
Pagina 123
The worst of it is that , problematic as our life in 1932 has become , the most
problematic thing about it is precisely its relation with the past . People are not
clearly aware of this , because the present and the future always afford a more
dramatic ...
The worst of it is that , problematic as our life in 1932 has become , the most
problematic thing about it is precisely its relation with the past . People are not
clearly aware of this , because the present and the future always afford a more
dramatic ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |