The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 59
... primitive novel seems more narrative than the modern . How- ever , this impression may have to be revised . Per- haps a primitive reader resembled a child in that he was capable of seeing in a few lines , in a bare pattern the integral ...
... primitive novel seems more narrative than the modern . How- ever , this impression may have to be revised . Per- haps a primitive reader resembled a child in that he was capable of seeing in a few lines , in a bare pattern the integral ...
Pagina 106
... primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best ...
... primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best ...
Pagina 107
... primitive , to paint what he sees as he sees it , he submits everything to an external force : the geometrical idea ... primitives and the Renais- sance toward Velásquez , we find in the Venetians , but especially in Tintoretto and El ...
... primitive , to paint what he sees as he sees it , he submits everything to an external force : the geometrical idea ... primitives and the Renais- sance toward Velásquez , we find in the Venetians , but especially in Tintoretto and El ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth