The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 64
... problems . The author and his audience enjoy not so much the passions and the consequent dramatic entangle- ments of the personages as the analysis of those passions ; whereas in the Spanish theater psycho- logical anatomy of sentiments ...
... problems . The author and his audience enjoy not so much the passions and the consequent dramatic entangle- ments of the personages as the analysis of those passions ; whereas in the Spanish theater psycho- logical anatomy of sentiments ...
Pagina 85
... problems , and emo- tions the book has to offer would seem so small and futile that all their significance would be ... problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
... problems , and emo- tions the book has to offer would seem so small and futile that all their significance would be ... problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
Pagina 185
... problems : Quietly now ! What meaning has this command ? Simply that of inviting us to suspend for a moment the action which threatens to distract us and make us lose our heads ; to suspend action for a moment so that we may withdraw ...
... problems : Quietly now ! What meaning has this command ? Simply that of inviting us to suspend for a moment the action which threatens to distract us and make us lose our heads ; to suspend action for a moment so that we may withdraw ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth