The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 85
... problems , and emo- tions the book has to offer would seem so small and futile that all their significance would be ... problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
... problems , and emo- tions the book has to offer would seem so small and futile that all their significance would be ... problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
Pagina 128
... problem of his life is not posed in a way different from that heretofore in use . The biographies of Goethe have been built up in ac- cordance with the ... problems to the eye , which is all in sweeping lines . Monumental optics , we 128.
... problem of his life is not posed in a way different from that heretofore in use . The biographies of Goethe have been built up in ac- cordance with the ... problems to the eye , which is all in sweeping lines . Monumental optics , we 128.
Pagina 137
... problems , but that it consists exclusively in the problem of itself . Obviously Goethe throws us off the track because his idea of life is biological , botanical . Like all the portant thing is that this formula is not accidental but ...
... problems , but that it consists exclusively in the problem of itself . Obviously Goethe throws us off the track because his idea of life is biological , botanical . Like all the portant thing is that this formula is not accidental but ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth