The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 18
... produce . Writers who have nothing to convey but their praise or dispraise of works of art had better abstain from writing . They are unfit for this arduous task . The important thing is that there unquestionably exists in the world a ...
... produce . Writers who have nothing to convey but their praise or dispraise of works of art had better abstain from writing . They are unfit for this arduous task . The important thing is that there unquestionably exists in the world a ...
Pagina 59
... produce in a limp sensibility the same effect which in more springy souls had been obtained by narration . When I read in a novel " John was peevish " it is as though the writer invited me to visualize , on the strength of his ...
... produce in a limp sensibility the same effect which in more springy souls had been obtained by narration . When I read in a novel " John was peevish " it is as though the writer invited me to visualize , on the strength of his ...
Pagina 154
... produces a most curious human deformation in him . He had been the man to originate a poetry produced from within the human being's individ- ual reality , from within that most personal I which 154.
... produces a most curious human deformation in him . He had been the man to originate a poetry produced from within the human being's individ- ual reality , from within that most personal I which 154.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth