The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 11
... pure art is possi- ble . Perhaps it is not ; but as the reasons that make me inclined to think so are somewhat long and difficult the subject better be dropped . Besides , it is not of major importance for the matter in hand . Even ...
... pure art is possi- ble . Perhaps it is not ; but as the reasons that make me inclined to think so are somewhat long and difficult the subject better be dropped . Besides , it is not of major importance for the matter in hand . Even ...
Pagina 16
... pure observation . At one end of the scale the world- persons , things , situations - is given to us in the aspect of " lived " reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must ...
... pure observation . At one end of the scale the world- persons , things , situations - is given to us in the aspect of " lived " reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must ...
Pagina 126
... pure nerve , pure muscle . Herein lies the salvation of Europe - in a narrowing down to the essential . Life is , in itself and forever , shipwreck . To be shipwrecked is not to drown . The poor human being , feeling himself sinking ...
... pure nerve , pure muscle . Herein lies the salvation of Europe - in a narrowing down to the essential . Life is , in itself and forever , shipwreck . To be shipwrecked is not to drown . The poor human being , feeling himself sinking ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth