The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 16
... pure observation . At one end of the scale the world- persons , things , situations - is given to us in the aspect of " lived " reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must ...
... pure observation . At one end of the scale the world- persons , things , situations - is given to us in the aspect of " lived " reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must ...
Pagina 131
... pure information . We must get over the error which makes us think that a man's life takes place inside himself and that , consequently , it can be reduced to pure psychology . Would that our lives did take place inside ourselves ! Then ...
... pure information . We must get over the error which makes us think that a man's life takes place inside himself and that , consequently , it can be reduced to pure psychology . Would that our lives did take place inside ourselves ! Then ...
Pagina 184
... pure action is deified . The stage is filled with crimes . Human life loses value , is no longer regarded , and all forms of violence and spoliation are practiced . Hence whenever the figure of the pure man of action rises above the ...
... pure action is deified . The stage is filled with crimes . Human life loses value , is no longer regarded , and all forms of violence and spoliation are practiced . Hence whenever the figure of the pure man of action rises above the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth