The Dehumanization of Art, and Other Writings on Art and Culture |
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Risultati 1-3 di 22
Pagina 55
Not only is the difficulty of finding new subjects steadily growing , but ever “ newer
” and more extraordinary ones are needed to impress the reader . This is the
second cause of the difficulty with which the genre as such is faced in our time .
Not only is the difficulty of finding new subjects steadily growing , but ever “ newer
” and more extraordinary ones are needed to impress the reader . This is the
second cause of the difficulty with which the genre as such is faced in our time .
Pagina 73
And the reader , proceeding by trial and error , apprehensive all the time of
making a mistake , must work out as best he can the actual character of those
fickle creatures . Owing to this device , among others , Dostoevski ' s books ,
whatever ...
And the reader , proceeding by trial and error , apprehensive all the time of
making a mistake , must work out as best he can the actual character of those
fickle creatures . Owing to this device , among others , Dostoevski ' s books ,
whatever ...
Pagina 83
The author must see to it that the reader is cut off from his real horizon and
imprisoned in a small , hermetically sealed universe - - the inner realm of the
novel . He must make a “ villager " of him and interest him in the inhabitants of
this realm .
The author must see to it that the reader is cut off from his real horizon and
imprisoned in a small , hermetically sealed universe - - the inner realm of the
novel . He must make a “ villager " of him and interest him in the inhabitants of
this realm .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth