The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 55
... reader . This is the second cause of the difficulty with which the genre as such is faced in our time . Proof that the present decline is due to more fundamental causes than a possibly inferior quality of contemporary novels is given by ...
... reader . This is the second cause of the difficulty with which the genre as such is faced in our time . Proof that the present decline is due to more fundamental causes than a possibly inferior quality of contemporary novels is given by ...
Pagina 73
... reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it is read , not be conceived as a novel ; the ...
... reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it is read , not be conceived as a novel ; the ...
Pagina 83
... reader's daily surroundings and constantly claim his interest . To turn each reader into a temporal " provincial " is the great se- cret of the novelist . Instead of widening the hori- zon - what novelistic horizon could be wider and ...
... reader's daily surroundings and constantly claim his interest . To turn each reader into a temporal " provincial " is the great se- cret of the novelist . Instead of widening the hori- zon - what novelistic horizon could be wider and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth