The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 55
Only a very few have escaped drowning in the reader's boredom . This development is inevitable and need not dis- ļ ୮ hearten the novelists . On the contrary ; for Notes on the Novel 55.
Only a very few have escaped drowning in the reader's boredom . This development is inevitable and need not dis- ļ ୮ hearten the novelists . On the contrary ; for Notes on the Novel 55.
Pagina 73
And the reader , proceeding by trial and error , apprehensive all the time of making a mistake , must work out as best he can the actual character of those fickle creatures . Owing to this device , among others , Dostoevski's books ...
And the reader , proceeding by trial and error , apprehensive all the time of making a mistake , must work out as best he can the actual character of those fickle creatures . Owing to this device , among others , Dostoevski's books ...
Pagina 83
The author must see to it that the reader is cut off from his real horizon and impris- oned in a small , hermetically sealed universe - the inner realm of the novel . He must make a " villager " of him and interest him in the ...
The author must see to it that the reader is cut off from his real horizon and impris- oned in a small , hermetically sealed universe - the inner realm of the novel . He must make a " villager " of him and interest him in the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth