The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 16
... reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a remark that is essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed ...
... reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a remark that is essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed ...
Pagina 35
... reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking in good faith the latter for the thing itself . Our yearning for reality leads us ...
... reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking in good faith the latter for the thing itself . Our yearning for reality leads us ...
Pagina 88
... reality . In simpler words , a novelist while he writes his novel must care more about his imaginary world than about any other possible world . If he does not care , how can he make us care ? Somnambulist himself , he must infect us ...
... reality . In simpler words , a novelist while he writes his novel must care more about his imaginary world than about any other possible world . If he does not care , how can he make us care ? Somnambulist himself , he must infect us ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth