The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 16
The inevitable dullness of this analysis will , I hope , be excused if it now enables us to speak in a clear and precise way of a scale of emotional dis- tances between ourselves and reality . In this scale , the degree of closeness is ...
The inevitable dullness of this analysis will , I hope , be excused if it now enables us to speak in a clear and precise way of a scale of emotional dis- tances between ourselves and reality . In this scale , the degree of closeness is ...
Pagina 23
Perception of " lived " reality and per- ception of artistic form , as I have said before , are essentially incompatible because they call for a different adjustment of our perceptive apparatus . ) An art that requires such a double ...
Perception of " lived " reality and per- ception of artistic form , as I have said before , are essentially incompatible because they call for a different adjustment of our perceptive apparatus . ) An art that requires such a double ...
Pagina 35
The idea remains a bare pattern , a sort of scaffold with which we try to get at reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking ...
The idea remains a bare pattern , a sort of scaffold with which we try to get at reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth