The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 130
... realize or not to realize this vital design which we ultimately are , but it cannot correct it , change it , abbreviate it , or substitute anything for it . We are indelibly that single pro- grammatic personage who must be realized ...
... realize or not to realize this vital design which we ultimately are , but it cannot correct it , change it , abbreviate it , or substitute anything for it . We are indelibly that single pro- grammatic personage who must be realized ...
Pagina 132
... realized . For this reason , it cannot be said that two different men find themselves in the same situation . The ... realize it , he can be untrue to himself . Then his life lacks authenticity . If " vocation " is not taken to mean ...
... realized . For this reason , it cannot be said that two different men find themselves in the same situation . The ... realize it , he can be untrue to himself . Then his life lacks authenticity . If " vocation " is not taken to mean ...
Pagina 142
... realize himself exactly . The latter presup- poses that one has no doubts as to who one is , or that , once this is determined , the individual re- solves to realize himself - whereupon the attention can tranquilly see to the details of ...
... realize himself exactly . The latter presup- poses that one has no doubts as to who one is , or that , once this is determined , the individual re- solves to realize himself - whereupon the attention can tranquilly see to the details of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth