The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 15
... realize that we have traveled a long distance away from the tragic event . So far indeed . that we have lost all emotional contact with it . The reporter , like the doctor , has been brought here for professional reasons and not out of ...
... realize that we have traveled a long distance away from the tragic event . So far indeed . that we have lost all emotional contact with it . The reporter , like the doctor , has been brought here for professional reasons and not out of ...
Pagina 35
... realize " our ideas - then we have dehumanized and , as it were , derealized them . For ideas are really unreal . To ... realizing the unreal as such . In this way we do not move from the mind to the world . On the contrary , we ...
... realize " our ideas - then we have dehumanized and , as it were , derealized them . For ideas are really unreal . To ... realizing the unreal as such . In this way we do not move from the mind to the world . On the contrary , we ...
Pagina 130
... realize or not to realize this vital design which we ultimately are , but it cannot correct it , change it , abbreviate it , or substitute anything for it . We are indelibly that single pro- grammatic personage who must be realized ...
... realize or not to realize this vital design which we ultimately are , but it cannot correct it , change it , abbreviate it , or substitute anything for it . We are indelibly that single pro- grammatic personage who must be realized ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth