The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 91
... reason the average reader does not understand him . In the beginnings of the novel the difference be- tween good ... reasons why I believe - utterly pessimistic though I feel about the immediate fu- ture of the plastic arts and of ...
... reason the average reader does not understand him . In the beginnings of the novel the difference be- tween good ... reasons why I believe - utterly pessimistic though I feel about the immediate fu- ture of the plastic arts and of ...
Pagina 109
... reason , they show themselves incapable of giving form to the materials of the picture as a whole ; or , in other words , they are not pictorial principles . Each sec- tion of the picture is painted without their inter- vention ...
... reason , they show themselves incapable of giving form to the materials of the picture as a whole ; or , in other words , they are not pictorial principles . Each sec- tion of the picture is painted without their inter- vention ...
Pagina 137
... reason to " vital reason . " Has anyone yet tried - not to draw the most immediate conse- quences from this phrase , but simply to understand its meaning ? People have gone on talking , despite my pro- tests , about my vitalism , but no ...
... reason to " vital reason . " Has anyone yet tried - not to draw the most immediate conse- quences from this phrase , but simply to understand its meaning ? People have gone on talking , despite my pro- tests , about my vitalism , but no ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth