The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 69
But the reasons usually given to explain his triumph and his ability to survive
seem to me erroneous . The interest his ... All this may contribute to the pleasure
we draw from Dostoevski ; only it is not sufficient reason . Moreover , there is a ...
But the reasons usually given to explain his triumph and his ability to survive
seem to me erroneous . The interest his ... All this may contribute to the pleasure
we draw from Dostoevski ; only it is not sufficient reason . Moreover , there is a ...
Pagina 74
... necklace , the ribs of an umbrella , the poles of a tent . My thesis is that in the
novel the so - called dramatic interest has no aesthetic value but forms a
mechanical necessity . The reason for this necessity is to be found in a general
law of the ...
... necklace , the ribs of an umbrella , the poles of a tent . My thesis is that in the
novel the so - called dramatic interest has no aesthetic value but forms a
mechanical necessity . The reason for this necessity is to be found in a general
law of the ...
Pagina 91
But precisely for this reason the average reader does not understand him . In the
beginnings of the novel the difference between good novels and poor novels was
not so great . As nothing had yet been said they all had to begin with saying the ...
But precisely for this reason the average reader does not understand him . In the
beginnings of the novel the difference between good novels and poor novels was
not so great . As nothing had yet been said they all had to begin with saying the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |