The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 69
But the reasons usually given to explain his triumph and his ability to survive seem to me erroneous . ... All this may contribute to the pleasure we draw from Dostoevski ; only it is not sufficient reason .
But the reasons usually given to explain his triumph and his ability to survive seem to me erroneous . ... All this may contribute to the pleasure we draw from Dostoevski ; only it is not sufficient reason .
Pagina 74
... the poles of a tent . My thesis is that in the novel the so - called dramatic interest has no aesthetic value but forms a mechanical necessity . The reason for this necessity is to be found in a general law of the ...
... the poles of a tent . My thesis is that in the novel the so - called dramatic interest has no aesthetic value but forms a mechanical necessity . The reason for this necessity is to be found in a general law of the ...
Pagina 91
But precisely for this reason the average reader does not understand him . In the beginnings of the novel the difference between good novels and poor novels was not so great . As nothing had yet been said they all had to begin with ...
But precisely for this reason the average reader does not understand him . In the beginnings of the novel the difference between good novels and poor novels was not so great . As nothing had yet been said they all had to begin with ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow German gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason remains seems seen sense sensibility soul space speak stand style things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |