The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 50
All the doubts cast upon the inspira- tion of those pioneers may be justified , and yet they provide no sufficient reason for condemning them . The objections would have to be supple- mented by something positive : a suggestion of an- ...
All the doubts cast upon the inspira- tion of those pioneers may be justified , and yet they provide no sufficient reason for condemning them . The objections would have to be supple- mented by something positive : a suggestion of an- ...
Pagina 74
... is true - as the string of a necklace , the ribs of an umbrella , the poles of a tent . My thesis is that in the novel the so - called dra- matic interest has no aesthetic value but forms a mechanical necessity . The reason for this ...
... is true - as the string of a necklace , the ribs of an umbrella , the poles of a tent . My thesis is that in the novel the so - called dra- matic interest has no aesthetic value but forms a mechanical necessity . The reason for this ...
Pagina 91
But precisely for this reason the average reader does not understand him . In the beginnings of the novel the difference be- tween good novels and poor novels was not so great . As nothing had yet been said they all had to begin with ...
But precisely for this reason the average reader does not understand him . In the beginnings of the novel the difference be- tween good novels and poor novels was not so great . As nothing had yet been said they all had to begin with ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth