The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 26
... relations . The causes of our states of consciousness are not present in these states ; science must ascertain them . But the motive of a feeling , of a volition ... relation . sniggeringly reveal their waxen secret . Take them for dolls 26.
... relations . The causes of our states of consciousness are not present in these states ; science must ascertain them . But the motive of a feeling , of a volition ... relation . sniggeringly reveal their waxen secret . Take them for dolls 26.
Pagina 179
... thought . There is then , no authentic action if there is no thought , and there is no authentic thought if it is not duly referred to action and made virile by its relation to action . But this relation - which The Self and the Other 179.
... thought . There is then , no authentic action if there is no thought , and there is no authentic thought if it is not duly referred to action and made virile by its relation to action . But this relation - which The Self and the Other 179.
Pagina 180
José Ortega y Gasset. its relation to action . But this relation - which is the true one - between action and contemplation has been persistently misunderstood . When the Greeks discovered that man thought , that there existed in the ...
José Ortega y Gasset. its relation to action . But this relation - which is the true one - between action and contemplation has been persistently misunderstood . When the Greeks discovered that man thought , that there existed in the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth