The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 36
... remains shadowy . Instead , we witness the real drama of some ideas as such , some subjective phantoms gesticulating in an author's mind . The artist's intent to dehumanize is unmis- takable , and conclusive proof is given of the pos ...
... remains shadowy . Instead , we witness the real drama of some ideas as such , some subjective phantoms gesticulating in an author's mind . The artist's intent to dehumanize is unmis- takable , and conclusive proof is given of the pos ...
Pagina 130
... remains as much out- side the I which you are , as the landscape remains outside your body . Let us say , if you choose , that among the things with which you found yourself , your soul is the closest to you , but it is not you yourself ...
... remains as much out- side the I which you are , as the landscape remains outside your body . Let us say , if you choose , that among the things with which you found yourself , your soul is the closest to you , but it is not you yourself ...
Pagina 139
... remains the victim of a perennial vacillation , of an external in- fluence which perpetually troubles him until , once and for all , he makes up his mind to declare that right is that which accords with him . " The I which is our vital ...
... remains the victim of a perennial vacillation , of an external in- fluence which perpetually troubles him until , once and for all , he makes up his mind to declare that right is that which accords with him . " The I which is our vital ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth