The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 94
... seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance experiences of this or that reader of his . Rather we recall that one of the peculiar ...
... seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance experiences of this or that reader of his . Rather we recall that one of the peculiar ...
Pagina 101
... seems clear , per- fectly defined in all its details . Around the object , as far as the limits of the field of vision , there is a zone we do not look at , but which , nevertheless , we see with an indirect , vague , inattentive vision ...
... seems clear , per- fectly defined in all its details . Around the object , as far as the limits of the field of vision , there is a zone we do not look at , but which , nevertheless , we see with an indirect , vague , inattentive vision ...
Pagina 105
... seems to delight in asserting its own rounded vol- ume . Objects in the background receive the same treatment as those of the foreground . The artist contents himself with representing the distant as smaller than the proximate , but he ...
... seems to delight in asserting its own rounded vol- ume . Objects in the background receive the same treatment as those of the foreground . The artist contents himself with representing the distant as smaller than the proximate , but he ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth