The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 14
... seems doubtful whether the two can be said to be present at the same event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot ...
... seems doubtful whether the two can be said to be present at the same event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot ...
Pagina 70
... seem abstract and inefficient , is the true substance of art . The author's or the critic's point of view cannot ... seems accidental and extrinsic but in reality forms the essence of the work : the structure of the novel as such ...
... seem abstract and inefficient , is the true substance of art . The author's or the critic's point of view cannot ... seems accidental and extrinsic but in reality forms the essence of the work : the structure of the novel as such ...
Pagina 101
... seems clear , per- fectly defined in all its details . Around the object , as far as the limits of the field of vision , there is a zone we do not look at , but which , nevertheless , we see with an indirect , vague , inattentive vision ...
... seems clear , per- fectly defined in all its details . Around the object , as far as the limits of the field of vision , there is a zone we do not look at , but which , nevertheless , we see with an indirect , vague , inattentive vision ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth