The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 9
We have here a very simple optical problem . To see a thing we must adjust our visual apparatus in a certain way . If the adjustment is inadequate the thing is seen indistinctly or not at all .
We have here a very simple optical problem . To see a thing we must adjust our visual apparatus in a certain way . If the adjustment is inadequate the thing is seen indistinctly or not at all .
Pagina 78
that attention is given to what is seen but , on the contrary , only what attracts attention is seen well . Attention is a psychological a priori that operates by means of affective preferences , i.e. , interests .
that attention is given to what is seen but , on the contrary , only what attracts attention is seen well . Attention is a psychological a priori that operates by means of affective preferences , i.e. , interests .
Pagina 129
Monumental optics , we may say for the moment , has four disadvantages : it is a solemn vision , seen from outside , seen from a distance , and lacking in genetic dynamism . This monumentalism becomes the more obvious the greater the ...
Monumental optics , we may say for the moment , has four disadvantages : it is a solemn vision , seen from outside , seen from a distance , and lacking in genetic dynamism . This monumentalism becomes the more obvious the greater the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth