The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 21
... sense whatever , which are unintelligible and therefore nothing . One only needs to assemble un- connected words or to draw random lines . " But to 6. An attempt has been made in this extreme sense- in certain works by Picasso - but it ...
... sense whatever , which are unintelligible and therefore nothing . One only needs to assemble un- connected words or to draw random lines . " But to 6. An attempt has been made in this extreme sense- in certain works by Picasso - but it ...
Pagina 44
... sense of the word - and they will not be convinced that to be a farce may be precisely the mission and the virtue of art . A " farce " in the bad sense of the word it would be if the modern artist pretended to equal status with the ...
... sense of the word - and they will not be convinced that to be a farce may be precisely the mission and the virtue of art . A " farce " in the bad sense of the word it would be if the modern artist pretended to equal status with the ...
Pagina 140
... sense of the word , that in man the imperative forms a part of his own reality . The man whose entelechy is , let us say , to be a thief has to be one , even though his moral ideas are opposed to it , suppress his unchangeable destiny ...
... sense of the word , that in man the imperative forms a part of his own reality . The man whose entelechy is , let us say , to be a thief has to be one , even though his moral ideas are opposed to it , suppress his unchangeable destiny ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth